Thursday, November 17, 2011

"I Love You Bigger Than The Sky" Wood'n Sign Black

  • Distressed for an old look
  • Handcrafted by us
A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival...in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke (The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real life begins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learn - not how to act, but how to live.
Disabled women challenge rigid, limiting views of what it means to be a disabled woman and parent. Th! ey describe having to fight for the right to become pregnant, the poignant pleasure of teaching children the benefits of having a "different" mother, and the sheer delight of involving themselves in a child's life.
A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke(The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real lifebegins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learnnot how to act, but how to live!This sign is made from pine, ! and measures 3.5"H x 25"W. It reads "I Love You BIGGER Than Th! e Sky". The front is painted Black, sanded then distressed. Routered back for hanging

Man Woman & Child

  • Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematograp
No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is t! he powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to ! discover a cure for global infertility. As they carefully navi! gate bet ween the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Featur! e Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cu! re for global infertility. As they carefully navigate between ! the batt ling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global inf! ertility. As they carefully navigate between the battling forc! es of mi litary police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonUniversal Pictures Children of Men (Combo HD DVD and Standard DVD) In 2027 as humankind faces the likelihood of its own extinction a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where he! r childs birth may help scientists to save the future of mankind.Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. A! s they carefully navigate between the battling forces of milit! ary poli ce and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonTold with P. D. James’s trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future.

The human race has become infertile, and the last generation to be born is n! ow adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematography of Richard H. Kline (Body Heat, King Kong), Man,! Woman and Child is a beautiful film of love and forgivene! ss with exceptional performances and skillful direction.

Flags of Our Fathers First Edition In Dust Jacket

  • Flags of Our Fathers
  • [Flags of Our Fathers]
#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







New! Fast shipping!From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most cruci! al and bloodiest battles of the war was the struggle for the i! sland of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, altho! ugh James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Ji! ma battle scenes) while emphasizing how three of the surviving! flag-ra isers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admira! ble role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other World War II DVDs

Essenti! al DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







Flags of Our Fathers

Get Smart - The Complete Series Gift Set

  • Maxwell Smart is back?And loving it! And so is Agent 99, The Chief, Fang and the rest of the fearless Get Smart gang. Here is the legendary, Emmy Award-winning spy-spoof series inspired by the comic genius of Mel Brooks and Buck Henry, digitally resored, remastered and brought to you for the first time on DVD. Now it's easier than ever to out-smart the world's least secret.secret agent, in this c
MAXWELL SMART, AGENT 86 FOR CONTROL, BATTLES THE FORCES OF KAOS WITH THE MORE COMPETENT AGENT 99 AT HIS SIDE.The Cold War may be over, but that doesn't mean it can't still be milked for laughs. Get Smart, the sassy film version of the Mel Brooks/Buck Henry-created '60s TV satire, brings plenty of elements of the original series and spins it freshly into the new world of bad guys in the 21st century, pretty much without losing a beat. Steve Carell is perfectly cast as the bumbling Maxwell Sma! rt--but in a slick improvement on the TV show, Smart isn't really hapless--though he has a bit of a self-esteem problem (all around his apartment are sticky notes with exhortations like "You can DO it!"). Carell's Maxwell Smart is a sharp techie researcher at the uber-secret crime-battling agency, CONTROL, who's just a little out of his element out in the field. As his data-crunching sidekick Bruce (Masi Oka of Heroes) says, "We're the ones guarding democracy!", aghast that Max would want to be an agent.

But Max longs for the action enjoyed by the likes of Agent 23 (a godlike Dwayne Johnson), with glamorous deployments around the world. When he finally gets his dream assignment--as the newly minted Agent 86--he's paired up with the slick and experienced Agent 99 (Anne Hathaway), who provides great lines, not to mention some interesting chemistry, while she continually saves Max from harm's way. The cast is terrific, with memorable appearances by Alan Ar! kin as the Chief, Terrence Stamp as the head of the uber-evil ! KAOS, an d Bill Murray as a (literally) put-out-to-pasture agent whose spy post is inside a tree ("really great, old-school stuff" he calls his assignment). And there's plenty of action, explosions, and creative shootouts with the bad guys (highlight: a freefall from a plane, with two people and just two parachutes). But it's Carell and his combination of insecure yearning and deadpan delivery that make Get Smart as, well, smart as it is. When Max learns he's finally been promoted to agent, he slips into the Cone of Silence--which unfortunately is malfunctioning. "I'm so happy! I'm so happy!" he yells, as his colleagues sit nearby hearing the whole thing. Discovering that, he purses his lips and says, "Well, that's a sucker-punch to the gonads." Sorry about that. --A.T. Hurley

Maxwell Smart is back... And loving it! And so is Agent 99, The Chief, Fang and the rest of the fearless Get Smart gang. Here is the legendary, Emmy Award-winning spy-spoof series inspired! by the comic genius of Mel Brooks and Buck Henry, digitally resored, remastered and brought to you for the first time on DVD. Now it's easier than ever to out-smart the world's least secret...secret agent, in this cunningly funny 25-DVD collection, featuring all 138 original episodes of Get Smart! This Get Smart Giftset is a must-have collector's item!

BagHead

  • EACH COPY IS SIGNED AND DATED by Author/Illustrator
  • Independently Published
  • For ages 3-8
While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but definitely not scary). Thus, Baghead was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents s! omething both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they all get to star. As they collaborate, it becomes apparent that Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghea! d turns into a frisky take on The Blair Witch Project! , e xcept the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

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What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to strong effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adv! enture that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held camera stylings. Highlights throughout involve Chad, the nerdier, uglier brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on ! trying to be good before it even tries. The characters start w! ashed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton



Filmmakers Mark and Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Duplass BrothersWhy the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to b! e” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we should have done is clear… we should have made another relationship movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening a! mong the 4 lead characters, just like we did on The Puffy ! Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer! to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell is under that bag?” So, we started to feel smart. Confident. Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is ca! lling us, making insanely inflated offers, asking us how we ca! me up wi th such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.PUFFY CHAIR - DVD MovieA little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

The Greatest Game Ever Played

  • ISBN13: 9780399241710
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The book that hits the sweet spot is now a major motion picture! Announcing the official movie tie-in edition of Mark Frost+s award-winning The Greatest Game Ever PlayedThe riveting tale of one of golf+s most defining moments comes to life on-screen this fall from Walt Disney Pictures+and is sure to spark renewed interest in Mark Frost+s sensational book of the same name.The movie The Greatest Game Ever Played is directed by Bill Paxton and stars Shia LaBeouf (I, Robot), Stephen Dillane (King Arthur, The Hours), Peter Firth (Pearl Harbor), Elias Koteas, and Peyton List. It will be released in September +05 from Walt Disney Pictures.Studio: Buena Vista Home Video Release Date: 03/29/2011 Rating: PgY! ou wouldn't think a movie that uses the game of golf as a metaphor for class struggle could be so entertaining. The Greatest Game Ever Played stars the charming Shia LaBeouf (Holes) as Francis Ouimet, a golfer who, in 1913, rose from caddy to U.S. Open champion at the age of 20--despite the resistance of the powers that be, who thought it unseemly for a lower-class plebian to play the sport of gentlemen. Ouimet's main competitor is Harry Vardon (Stephen Dillane, The Hours), a British professional, still considered one of the greatest players of all time, who fought his own class battles. The two go head to head in a genuinely gripping match, deftly balanced against the juxtapositions of their personal struggles. Is it sentimental and formulaic? Is the outcome a foregone conclusion? Yes, but it doesn't matter--formulas exist because, when executed with verve and dexterity, they work. Bill Paxton, best known as an actor (One False Move, Apollo 1! 3), steps into the director's chair and hits all the right! notes, aided by an excellent cast playing colorful characters, a vivid recreation of the time period, glowing cinematography, and an expert pace. The Greatest Game Ever Played works. --Bret Fetzer

The 1958 NFL championship game is known to football fans as the "Greatest Game Ever Played." Featuring gridiron legends like Johnny Unitas, Frank Gifford, and Vince Lombardi, the Game marked the beginning of America’s infatuation with professional football.

Now, Phil Bildner tells a heartwarming father-and-son story against the backdrop of this historic moment.When the New York Giants baseball team moves to San Francisco, young Sam discovers the other New York Giantsâ€"the football Giants. He convinces his skeptical Pop to come with him to the Game, and as Johnny Unitas engineers Baltimore’s legendary comeback, Sam and Pop rediscover the joy of rooting on their heroes together.

Fight Club: A Novel

  • ISBN13: 9780393327342
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
"'Fight Club' pulls you in, challenges your prejudices, rocks your world and leaves you laughing" (Rolling Stone). Brad Pitt ("12 Monkeys", "Seven"), Edward Norton ("Primal Fear," "American History X") and Helena Bonham Carter ("Mighty Aphrodite," "A Room With A View") turn in powerful "performances of which movie legends are made" (Chicago Tribune) in this action-packed hit. A ticking-time-bomb insomniac (Norton) and a slippery soap salesman (Pitt) channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until a sensuous eccentric (Bonham Carter) gets in the way and ignites an out-of control spiral toward oblivi! on.All films take a certain suspension of disbelief. Fight Club takes perhaps more than others, but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiraling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as other! s are attracted to their ways, they fight the men who come to ! join the ir newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club grows into a nationwide fascist group that escapes the protagonist's control.

Fight Club, directed by David Fincher (Seven), is not for the faint of heart; the violence is no holds barred. But the film is captivating and beautifully shot, with some thought-provoking ideas. Pitt and Norton are an unbeatable duo, and the film has some surprisingly humorous moments. The film leaves you with a sense of profound discomfort and a desire to see it again, if for no other reason than to just to take it all in. --Jenny Brown

The first rule about fight club is you don't talk about fight club.

Chuck Palahniuk's outrageous and startling debut novel that exploded American literature and spawned a movement. Every weekend, in the basements and parking lots of bars across the country, young men with white-collar jobs and failed ! lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.

The Good, the Bad, the Weird [Blu-ray]