Conventioneers

• Two former friends, one a Republican the other a Democrat, meet in New York during the Republican National Convention in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 881394101920 UPC: 881394101920 Manufacturer No: CLS1019

Two former friends, one a Republican the other a Democrat, meet in New York during the Republican National Convention in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle.

Mel Gibson's Apocalypto (Widescreen Edition)

• All Movie Guide - As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and m

From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love ! for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose hi! s well-established fascination with bodily mortification in a ! litany o f assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

!

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Stills from Mel Gibson's Apocalypto (click for larger image)

Good

• GOOD (DVD MOVIE)

When John Halder’s (Viggo Mortensen) latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich’s horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

Fracture (Widescreen Edition)

• Academy Award? winner Anthony Hopkins and Academy Award? nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex Reed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Will

Academy Award® winner Anthony Hopkins and Academy Award® nominee Ryan Gosling are brilliant in this "exceptionally suspenseful nail-biter" (Rex Reed) that's so smart it "doesn't let go, even after the final twist" (Gene Shalit, "Today"). Ted Crawford (Hopkins) brutally murders his wife and calmly waits for the police to arrest him. With the weapon and a signed confession in hand, Deputy D.A., Willy Beachum (Gosling), believes a conviction is a slam dunk; that is until the case completely unrav! els. Now, with little evidence, Beachum goes head to head with the cunning Mr. Crawford in a desperate search for the truth and the answer to one burning question: How is this guy getting away with murder?Anthony Hopkins plays a brilliant, pathologically serene killer outwitting the good guys at every turn and taking a shine to a twentysomething law enforcer who can’t conceal a rural accent and rugged origins. Could it be...? No, not The Silence of the Lambs, but an original mystery, Fracture, which plays a little like Lambs as an episode of Columbo, minus Columbo. Which means the film tells us from the get-go that Hopkins’ character, a wealthy engineer, shoots his philandering wife (Embeth Davidtz) and leaves her in a vegetative state. From there, it should be a simple matter for young, assistant District Attorney Willy Beachum (Ryan Gosling) to nail Crawford, who provides a full confession and even eschews counsel. That’s good for Beachum! , a slick winner with a vague background of deprivation, rapid! ly on hi s way out of public service after attracting the attention of a deep-pocket, private firm. What he doesn’t know, however, is that Crawford has masterminded more than vengeance against his wife, and that the state’s case against him is full of pre-arranged holes and a huge time-bomb that will send Beachum scrambling to keep the pieces together.

The story, conceived and co-scripted by Daniel Pyne (Doc Hollywood), goes down easily with a minimum of blood and violence, and should easily appeal to mystery buffs as well as old fans of Hopkins and new admirers of Oscar nominee Gosling (Half Nelson). The latter holds his own in multiple, two-character scenes with the masterful portrayer of Hannibal Lecter, pacing Beachum’s reactions to Crawford’s polite provocations so everything spills onto his youthful face: torn loyalties, confusion, gullibility. Director Gregory Hoblit (Hart’s War), still best-known for decades of distinguished television wor! k (NYPD Blue), brings the necessary intimacy to make the stars’ chemistry work effectively. His noirish atmosphere is a little over the top, sometimes pushing the audience to a level of expectation that the film isn’t really ready to deliver, but this, overall, is an enjoyable work. --Tom Keogh

Heat [Blu-ray]

• When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929073337 UPC:&nb

Vincent is a cool calculating contract killer at the top of his game. Max is a cabbie with big dreams looking for his next fare. This fateful night max will transport vincent on his next mission - one night 5 stops 5 hits & a perfect getaway. Together they find themselves in a non-stop race against time. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Tom Cruise Jada Picket Smith Run time: 120 minutes Rating: RCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but t! hat's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the conf! idence of a master, turning L.A. into a third major character ! (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCOLLATERAL - Blu-Ray MovieCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay! deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, a! fter all, and the director's stellar track record with crime t! hrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a b! it slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonStudio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the! terrorist's remote jungle compound, enlists the aid of the vi! llain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star.Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thril! ler from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career.! These are men obsessed, and as De Niro and Pacino know, they! 'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon

Ghost in the Shell 2.0 [Blu-ray]

• GHOST IN THE SHELL 2.0 BLU-RAY (BLU-RAY DISC)

A film that has spawned a thousand imitations but never been bettered â€" Mamoru Oshii’s legendary anime film GHOST IN THE SHELL returns in a stunning new edition remastered by Oshii himself. For this definitive Version 2.0 release, all the original animations are re-produced with latest digital film and animation technologies, including 3D-CGI. Set in a re-imagined Hong Kong at a time when cyberspace is expanding into human reality, the story follows top cyberwarrior Major Motoko Kusanagi as she hovers on the border of total immersion in the digital world.

When Life's Not Working: 7 Simple Choices for a Better Tomorrow

• ISBN13: 9780801013782
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A new take on the Hong Kong action classic that launched Chow Yun Fat to international stardom, director Song Hae-seong's remake of A Better Tomorrow features an all-star class including Seung-heon Song, Kang-woo Kim, and Jin-mo Ju. In the treacherous world of the black-market weapons trade, honor and vengeance go hand in hand. Adapted from writer/director John Woo's original screenplay.Life is hard--for everyone. No matter how gifted or fortunate, everyone will experience some level of disappointment in life: difficult classes, jobs, relationships, and losses. But by following basic disciplines anyone can experience accomplishment, freedom, and ease in navigating through life's daily challenges.
In this positive, insightful book, Bob Merritt describes a set of universal principles that work for everyone in every stage of life, showing that what we do today determines who we become tomorrow. Anyone who has experienced pain or confusion from lost opportunities, broken relationships, or a nagging sense of emptiness will treasure this book that shows them that the best of life has not passed them by.

Playskool Alphie

• There's a whole lot to discover when you're a preschooler and this Alphie figure shares one of the most important lessons, too
• Fun and engaging electronic robot figure
• Introduce your child to letters, math skills, special reasoning, cause and effect and much more
• Robot figure sings and plays music and features light up buttons
• Robot figure comes with 30 double-sided cards

Fun and engaging electronic robot figure introduces your child to letters, math skills, special reasoning, cause and effect and much more. Robot figure “sings” and plays music and features light up buttons!

• Robot figure comes with 30 double-sided cards
• Includes 3 “AA” batteries
• Recommended Ages: 3 years & up

Gossip: Ten Pathways to Eliminate It from Your Life and Transform Your Soul

• ISBN13: 9780757300554
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Music For Men was produced by multi Grammy Award winner Rick Rubin and recorded at the historic Shangri La Studios in Malibu.College jounalism students plant a trashy rumor about a celibate co-ed, planning to track how the story changes as it burns through the university. But what the students never imagine is that the savagely mutating tale will turn against them.

DVD Features:
Alternate endings
Audio Commentary:Commentary by D. Guggenheim, J. Mardsen
Deleted Scenes:Deleted Scenes - 11:07
Filmographies
Interactive Menus
Music Video
Other:Travis's gossip Interviews "Grab Bag"
Scene Access
Theatrical Trailer!

Gossip is one of a spate of movies that owe a lot to Cruel Intentions. This time it's rich kids in college, but other than that Gossip stays well within the beautiful-young-people-doing-awful-things-to-each other formula. Lena Heady plays Jones, obviously the Smart Girl because she is briefly seen wearing glasses. Jones hangs out with Arty Guy Travis and Handsome Rich Guy Derrick, who finances their adventures and has a little bit of a lying habit. The three are all in the same journalism class (acidic monologist Eric Bogosian plays the acidic professor) and decide to start and track a rumor for their term papers. They pick rich and beautiful couple Beau and Naomi (Joshua Jackson and Kate Hudson) as the focus of the rumor, and before you know it their juicy story starts spinning out of control into ugly territory and a truly ludicrous climax. There are attempts at making sledgehammer points about the slippery task of finding Truth, but mostl! y Gossip is about the guilty pleasure of watching prett! y young actors be mean to each other. You'll hate yourself in the morning, but watch it anyway. --Ali Davis

A dishy, incisive exploration of gossip â€" from celebrity rumors to literary romans à clef, personal sniping to political slander â€" by one our “great essayists” (David Brooks)

To his successful examinations of some of the most powerful forces in modern life â€" envy, ambition, snobbery, friendship â€" the keen observer and critic Joseph Epstein now adds Gossip. No trivial matter, despite its reputation, gossip, he argues, is an eternal and necessary human enterprise. Proving that he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best â€" clever, mocking, a great private pleasure â€" to a corrosive new-school version, thanks to the reach of ! the mass media and the Internet. Gossip has invaded and changed for the worse politics and journalism, causing unsubstantiated information to be presented as fact. Contemporary gossip claims to reveal truth, but as Epstein shows, it’s our belief in truth that gossip today threatens to undermine and destroy.

Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.
The first thing that strikes you is the rhythm. The Gossip have been making punks dance since they debuted five years ago, long before dance punk existed. Soulful and jagged, you can hear everything from Dischord to Motown. The vocals resonate with the confidence of the lyrics, asking people to hold on just a little bit longer, reassuring youth that there are others out there, and spitting in the face of all who say otherwise. Their third album was recorded by Guy Picciotto (Fugazi). This is the sound of a band destroying and surpass! ing all expectations placed on them. Kill Rock Stars. 2006.It'! s flatly unfair that the Gossip aren't a massive success, a rocknroll giant slayer, especially as they unleash another 10-song, 30-minute zinger like Standing in the Way of Control. Singer Beth Ditto's boundless, whether shouting out the title song's chorus or feather-dusting the lyric on Meg White-sounding album closer, "Dark Lines." The band rocks with an unerring simplicity, a leanness that writhes. The big-beat, hop-along (and sing-along) "Listen Up," is the centerpiece here, a stripped focus on the Gossip's core conviction, that rhythm can rock like little else. The tune has Ditto holding court over a bluntly simple one-two beat, cautioning a crowd that by rights ought to be tenfold larger: "now gather round/now listen up," warning them that "some people talk way too much." As Ditto stuns, drummer Hannah Blilie's beat pounds, and Brace Paine's guitar lays down a simple law. Ignorance of that law is no excuse. --Andrew BartlettHere’s the dish, GG fans: the 22 epi! sodes of Season Four couldn’t be juicier! And Gossip Girl is there to keep you clued in to the buzz, secrets and scandals of Manhattan’s elite. Between Blair and Serena’s thrilling summer in Paris, Chuck’s new girlfriend and new identity, unexpected fatherhood for Dan, a power play for Bass Industries, Blair’s too-haute-to-handle internship at W Magazine and a vicious conspiracy that threatens to bring down one of your favorite Upper East Siders, Season Four sizzles with some very surprising hookups and meltdowns. With lies and betrayals at every turn, Serena, Blair, Nate, Chuck, and Dan struggle to “keep their friends close and their frenemies closer.” The fourth season of Gossip Girl starts to show a little age; while the fashions are as couture as ever and the scandals the right level of sleaze, the season takes some inexplicable turns. But no season is complete without its parade of troublemakers, so up first is Georgina (Michelle Trachtenberg), who! se pregnancy announcement at the end of season three throws se! rious wa ter on Dan's romantic possibilities with Serena (Blake Lively). Then there's Juliet (Katie Cassidy, daughter of '70s teen idol David), an impostor whose elaborate scheme to take down Serena is connected to her past and involves some serious loony-bin activity (Cassidy, who was the best thing on the short-lived Melrose Place reboot, makes a terrific foil--much less irksome than Georgina, who has by now overstayed her welcome). Finally, there's Russell Thorpe (Spin City's Michael Boatman), a ruthless businessman who angles to take over Bass Industries from Chuck (Ed Westwick). But none of these villains hold a candle to the internal evildoing within the Upper East Siders; Dan (Penn Badgley) plots against Chuck, Vanessa (Jessica Szohr) and Jenny (Taylor Momsen) plot against Serena, then turn against each other, mapping both of their exits off the series; Serena and Chuck plot against her mother, Lily (Kelly Rutherford), and finally Lily's sister Carol plots agains! t her by employing her daughter Charlie (Kaylee DeFer). Incomprehensible love matches ensue (the show's creators seem intent on having Serena circle romantic possibilities with… pretty much everyone), but the friendship that naturally evolves between Dan and Blair becomes the season's most pleasant surprise. That Blair becomes the center of a complex romantic web between Chuck and an honest-to-goodness prince (Hugo Becker) steers the season back in the right direction; Meester and Westwick remain the emotional centers of the show and anchor it when it veers too far into Crazytown. --Ellen A. Kim

Evil speech can destroy friendships, break up marriages and ruin businesses. Gossip-negative talk, put-downs, rumors, accusations-not only hurts the person being talked about, it also hurts the person speaking and the person listening. In short, gossip has a negative impact on everyone. Yet, despite these negative consequences, gossip has been around since the begi! nning of humankind and continues to be a popular but destructi! ve pasti me.

Throughout this timely and enjoyable book, readers will learn what the Bible and Jewish wisdom have to say regarding speech and how their teachings relate to our world today. Readers will also learn via real-life examples how to break the gossip habit and how to teach others to do the same. Gossip will help people develop skills to improve their lives by getting along better with others; mending old hurts and reclaiming lost relationship; keeping good relationships from going bad through hurtful words; and strengthening relationships they already have by speaking in a more encouraging and productive manner.

The purpose of this book is to extinguish the fire of evil speech and help us live in a gossip-free environment. The result? Positive interactions with the people around us, the healing of relationships and a more complete self.