Wednesday, September 21, 2011

Wishful Drinking

  • ISBN13: 9781439153710
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Finally, after four hit novels, Carrie Fisher comes clean (well, sort of ) with the crazy truth that is her life in her first-ever memoir. In Wishful Drinking, adapted from her one-woman stage show, Fisher reveals what it was really like to grow up a product of "Hollywood in-breeding," come of age on the set of a little movie called Star Wars, and become a cultural icon and bestselling action figure at the age of nineteen.

Intimate, hilarious, and sobering, Wishful Drinking is Fisher, looking at her life as she best remembers it (what do you expect after electroshock therapy?). It's an incredible tale: the child of Hollywood royalty -- Debbie Reynolds and Eddie Fisher -- homewrecked ! by Elizabeth Taylor, marrying (then divorcing, then dating) Paul Simon, having her likeness merchandized on everything from Princess Leia shampoo to PEZ dispensers, learning the father of her daughter forgot to tell her he was gay, and ultimately waking up one morning and finding a friend dead beside her in bed.

Wishful Drinking, the show, has been a runaway success. Entertainment Weekly declared it "drolly hysterical" and the Los Angeles Times called it a "Beverly Hills yard sale of juicy anecdotes." This is Carrie Fisher at her best -- revealing her worst. She tells her true and outrageous story of her bizarre reality with her inimitable wit, unabashed self-deprecation, and buoyant, infectious humor.

Aria

  • ARIA is that history-making film. Sexy, violent, thought-provoking and funny, here is the movie critics raved about, audiences flocked to see, and no one could stop talking about.Running Time: 90 min. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 883929009497 UPC: 883929009497 Manufacturer No: LIT-DV-00037
WEIGHT OF WATER - DVD MovieThis complicated mystery, directed with passionate intensity by Katherine Bigelow (Near Dark), deserves better than the paltry distribution it received in theaters. Granted, it's a tough sell: a contrast between the emotional unrest in a group of modern travelers and a hundred-year-old murder case on a desolate New England island. A photographer (Catherine McCormack) is researching the old case, and we flip back and forth between time periods as she uncovers new clues. The parallel-story structure is often tricky to pull off in movies, and Bigelow, wo! rking from the Anita Shreve novel, doesn't entirely solve it here. But the old mystery, set in a strict Norwegian community, is compelling, and the cast is stronger than the material: Sarah Polley and the late Katrin Cartlidge are stand-outs in the 1873 scenes, and Sean Penn (believably insufferable) and Elizabeth Hurley flirt naughtily in the modern. --Robert HortonThe Devil's never been so hot or hilarious! Brendan Fraser is a hapless, love-starved computer technician who falls prey to sinfully sexy Elizabeth Hurley when he agress to sell her his soul in exchange for seven wishes. But the sly Princess of Darkness has more than a few tricks up her... sleeve. And before you can say Fire and Brimstone, Elliot's life becomes a hysterical hell on earth.Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely say! s he'd give his soul for Alison, the Devil appears (Elizabeth! Hurley, Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable! (The Mummy) and not so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her largely straight role, and Hurley fills out her part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret FetzerARIA is that history-making film. Sexy, violent, thought-provoking and funny, here is the movie critics raved about, audiences flocked to see, and no one could stop talking about.This omnibus directors fest brings together 10 different filmmakers making 10 different films based on operatic arias. Jean-Luc Godard is stylistically the boldest, Robert Altman possibly the most imaginative, Franc Roddam celebrates American glitz, and Bruce Beresford is the most sentimental. Nearly all the other filmmakers involved--including Nicolas Roeg, Ken Russell, Julien Temple, Charles Sturridge, Derek Jarman, and Bill Bryd! en--are (or were, in the case of the late Jarman) world-class ! talents, but you wouldn't know that from their murky participation here. --Tom Keogh

Spread

  • Condition: New
  • Format: DVD
  • Color; DVD; Subtitled; Widescreen; NTSC
Fresh, funny and racy, Spread is a look at the trials and tribulations of sleeping your way to a life of privilege in Los Angeles. Nikki (Ashton Kutcher) is a fun-loving, freeloading hipster who understands his greatest assets are his looks and sexual prowess. His latest conquest, Samantha (Anne Heche), a stunning middle-aged lawyer, gives Nikki more than he’s ever had before. But when Heather (Margarita Levieva), a gorgeous waitress playing the same game, catches his eye, their lifestyles force a choice between love and money. Nikki has to decide whether he can live on his own once and for all in the hopes of finding something real.Director David Mackenzie trades the Scottish Highlands for the Hollywood Hills in this darkly comic fable about a male hustler. While Julia Roberts famously portrayed a hooker ! with a heart of gold, Nikki (producer Ashton Kutcher) suffers from Tin Man Syndrome: he doesn't seem to have a heart at all. As he boasts in his opening narration, "I don't wanna be arrogant here, but I'm an incredibly attractive man." (He has a point, but those suspenders have gotta go.) With his finances in disarray, he sets his sights on Samantha (Anne Heche), a high-powered attorney with an amazing abode overlooking Los Angeles. For such a sophisticated woman, she's surprisingly quick to fall for his patter. Aside from attending to her physical needs, Nikki cooks, runs errands, and makes himself so indispensable he gains the use of her Amex and Mercedes. Then he meets the more age-appropriate Heather (Margarita Levieva), who doesn't find his talk quite so cute, but she gets him in a way Sam doesn't because she's a player, too. Through Heather, Nikki finds his heart, but a real relationship proves far more challenging than a fake one. If the characters in Mackenzie's fir! st American feature, much like the gang on TV's Gossip Gir! l, are too vain to inspire much sympathy, they're still fun to watch. Kutcher's ladies' man may not be as iconic as the studs in Midnight Cowboy and American Gigolo, but then Mackenzie (Young Adam, Mister Foe) isn't going for tears or fears, but rather for escapism with a sexy, slightly cynical edge. --Kathleen C. Fennessy

Stills from Spread (Click for larger image)










Monday, September 19, 2011

Caprice Bourret 8x10 Autographed Photo Reprint

Mera Saaya

Sunday, September 18, 2011

Nathalie

  • Starring G rard Depardieu and Emmanuelle B art, NATHALIE follows an unusual friendship as it awkwardly blossoms between two women. Catherine (Fanny Ardent) discovers that her husband (Depardieu) has cheated on her, and hires a prostitute, Nathalie (B art), to seduce him. But when Nathalie reports back to Catherine on the liaison, the two women bond despite Catherine finding it hard to trust what h
La Belle Noiseuse is a thrilling and unconventional drama about the responsibility of an artist to his vision and the conflicts that arise when such responsibility is perceived as a threat to others. Michel Piccoli (Le Doulos) delivers one of his finest, most lived-in performances as Edouard Frenhofer, a famous painter living with his artist wife Liz (Jane Birkin) on a spacious estate in the French countryside. Frenhofer has lacked inspiration for a decade and has given up on painting.! The idea behind his unfinished masterpiece, La Belle Noiseuse ("The Beautiful Troublemaker"), has been seemingly unattainable for a decade; Liz was the original model for it, and Frenhofer's exhaustion with the project has an emotional parallel to his dispassionate relationship with her.

Along comes a rising artist, Nicolas (David Bursztein), who suggests that his girlfriend, Marianne (Emmanuelle Béart), a writer, could help Frenhofer jumpstart the painting's completion. From this point, most of La Belle Noiseuse becomes a remarkable, seemingly unedited and privileged look at the development of a bond between artist and muse. Béart, fiercely brilliant, spends the majority of the film nude and continually molded into sometimes-painful positions as Frenhofer struggles--sketch after sketch, paint upon paint--to find something beyond the obviousness of Marianne's body. As the two struggle to meet each other halfway, Liz and Nicolas feel marginalized and je! alous, putting pressure on Frenhofer to disregard such persona! l concer ns or give in to them. Adapted by French New Wave master Jacques Rivette from a story by Honore de Balzac, the lengthy La Belle Noiseuse is fascinated by the artistic process; it is itself a patient process of watching ideas and aesthetic courage reveal themselves in the face of extraneous aversion. --Tom KeoghDisc 1 Side A: **Widescreen Feature Film - Jean de Florette

Disc 2: **Widescreen Feature Film - Manon of the SpringUpon discovering that her husband is cheating on her, Catherine (Fanny Ardnt) hires a prostitute Marlene (Emmanuelle Beart) to play a role as "Nathalie" to seduce him and report back to her. A strange relationship develops between the two women and soon Catherine enters a startling world that changes her forever.

Red Road Movie Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style A -(Ju-wan On)(Ho-jung Kim)(Ji-young Ok)(Min-ji Park)(Ji-woo Jang)

  • Red Road Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style A
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
This phrasebook includes: a pronunciation section; a grammar section; cultural notes; and index and thumb tabs for easy use.This historical novel, Encounter (Mannam), by Hahn Moo-Sook, one of Asia's most honored writers, is a story of the resilience in the Korean spirit. It is told through the experiences of Tasan, a high-ranking official and foremost Neo-Confucian scholar at the beginning of the nineteenth century. Because of Tasan's fascination wit! h Western learning, then synonymous with Catholicism, he is exiled to a remote province for 18 years. In banishment he meets people from various social and religious backgrounds--Buddhist monks, peasants, shamans--whom he would not otherwise have met. The events of Tasan's life are effectively used to depict the confluence of Buddhist, Neo-Confucian, Taoist, and shamanistic beliefs in traditional Korea.
A subplot involves three young sisters, the daughters of a prominent Catholic aristocrat, and affords the reader vivid glimpses into Yi-dynasty women's lives, particularly those of palace ladies, scholars' wives, tavern keepers, shamans, and slaves. In contrast to the long-held Confucian stereotype of female subservience, this story illustrates the richness of women's contribution to Korean culture and tradition.
Encounter's detailed narrative provides a broad and informed view of nineteenth-century Korea, making it a highly useful book for courses on Korean lit! erature and society. It will also be an engaging read for love! rs of hi storical fiction.A successful lawyer who in order to save her daughter is pressured into defending the innocence of a man slated to receive the death penalty. Studio: Virgil Films And Entertai Release Date: 08/24/2010 Run time: 125 minutesThis historical novel, Encounter (Mannam), by Hahn Moo-
Sook, one of
Asia's most honored writers, is a story of the resilience in the Korean
spirit.
It is told through the experiences of Tasan, a high-ranking official and
foremost Neo-Confucian scholar at the beginning of the nineteenth
century.
Because of Tasan's fascination with Western learning, then synonymous
with
Catholicism, he is exiled to a remote province for 18 years. In
banishment he
meets people from various social and religious backgroundsBuddhist
monks,
peasants, shamanswhom he would not otherwise have met. The events of
Tasan's
life are effectively used to depict the confluence of Bud! dhist, Neo-
Confucian,
Taoist, and shamanistic beliefs in traditional Korea.
A subplot involves three young sisters, the daughters of a prominent
Catholic
aristocrat, and affords the reader vivid glimpses into Yi-dynasty
women's lives,
particularly those of palace ladies, scholars' wives, tavern keepers,
shamans,
and slaves. In contrast to the long-held Confucian stereotype of female
subservience, this story illustrates the richness of women's
contribution to
Korean culture and tradition.
Encounter's detailed narrative provides a broad and informed view of
nineteenth-
century Korea, making it a highly useful book for courses on Korean
literature
and society. It will also be an engaging read for lovers of historical
fiction.This historical novel, Encounter (Mannam), by Hahn Moo-
Sook, one of
Asia's most honored writers, is a story of the resilience in the Korean!
spirit.
It is told through the experiences of Tas! an, a hi gh-ranking official and
foremost Neo-Confucian scholar at the beginning of the nineteenth
century.
Because of Tasan's fascination with Western learning, then synonymous
with
Catholicism, he is exiled to a remote province for 18 years. In
banishment he
meets people from various social and religious backgroundsBuddhist
monks,
peasants, shamanswhom he would not otherwise have met. The events of
Tasan's
life are effectively used to depict the confluence of Buddhist, Neo-
Confucian,
Taoist, and shamanistic beliefs in traditional Korea.
A subplot involves three young sisters, the daughters of a prominent
Catholic
aristocrat, and affords the reader vivid glimpses into Yi-dynasty
women's lives,
particularly those of palace ladies, scholars' wives, tavern keepers,
shamans,
and slaves. In contrast to the long-held Confucian stereotype of female
subservience, this! story illustrates the richness of women's
contribution to
Korean culture and tradition.
Encounter's detailed narrative provides a broad and informed view of
nineteenth-
century Korea, making it a highly useful book for courses on Korean
literature
and society. It will also be an engaging read for lovers of historical
fiction.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Korean actors.This digital document is an article from Polymer Engin! eering and Science, published by Society of Plastics Engineers! , Inc. o n October 15, 1995. The length of the article is 2554 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the author: The esterification of the hydroxyl group of starch with DuPont Surlyn was considered as pretreatment method of starch before blending with polyolefins. In treating starch with Surlyn, two different reaction conditions were taken to optimize reaction conditions. First, the esterification reaction was carried out in 110 [degrees] C xylene with oleic acid as a catalyst. Second, the reaction was carried out in a 90 [degrees] C mixture of deionized water and xylene with ceric ammonium nitrate (CAN) as an initiator. Starch granules would be swollen above the gelatinization temperature in water. In both cases, starch was modified by Surlyn to have good compatibility with low-densi! ty polyethylene (LDPE). The mechanical and rheological properties were examined for blends of the treated starch and LDPE. This system may be one of the biodegradable polymer blends that sufficiently retain properties as a packaging film.

Citation Details
Title: Processabilities and mechanical properties of Surlyn-treated starch/LDPE blends.
Author: Young Jin Kim
Publication: Polymer Engineering and Science (Refereed)
Date: October 15, 1995
Publisher: Society of Plastics Engineers, Inc.
Volume: v35 Issue: n19 Page: p1652(6)

Distributed by Thomson GaleRed Road Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style A reproduction poster print

CAST: Ju-wan On,Ho-jung Kim,Ji-young Ok,Min-ji Park,Ji-woo Jang; DIRECTED BY: Chang-ho Cho;

Mr Singh Mrs Mehta [Dvd] Prashat Narayan , Aruna Shields;; Directed By Pravesh Bhardwaj