Dogtown & Z-Boys Film - Extreme Skateboard 11x17 Poster

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The Dogtown and Z-Boys skateboarding video chronicles the overnight impact of the Zephyr team on skateboarding in the early 1970's and the eventual collapse of the team later in the same decade. This video is directed and co-written by skateboard legend-turned-filmmaker Stacy Peralta and narrated by actor Sean Penn. --This text refers to an out of print or unavailable edition of this title.In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta! , one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeIn the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually non-existent. In the Dogtown area of west Los Angeles, a group of young surfers known as the Zep! hyr Team (Z-Boys) was experimenting with new and radical moves! and sty les in the water which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. . Dogtown The Legend of the Z-Boys is a truly fascinating case study of just how an underground sport ascended on the world. These are the stories and images of a time that not only inspired a generation but changed the face of sport forever. The Legend of the Z-Boys has been described as "The Dogtown text book" and an insightful companion piece to the movie: "DogTown and Z-Boys". . Spanning 1975 â€" 1985, the first section of the 240 page book includes the best of the "DogTown" articles written by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles 100’s of never before seen skate images from the archive of Glen E. Friedman - many of which appear in the movie. Both Stecyk and Friedman acted as executive producers and advisors for the award winning film, Dogtown and Z-Boys to be re! leased nationwide simultaneously by Sony Picture Classics in April 2002.In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for! an engaging portrait of "accidental revolutionaries" whose my! thology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade

Boys of Baraka Poster 27x40 Devon Brown Richard Keyser Justin Mackall

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Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

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I! f everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part, i! s to demonstrate that the toxic environment of Baltimore, and ! its nega tive impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect.

We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but in! showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Boys of Baraka reproduction poster print

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Casshern Sins: Part 1

• Salvation is the ruin of man and machine.Casshern a cybernetic assassin with no memory of his past awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike or what little remains of them seek vengeance against Casshern

After 50 years of bitter warfare in the late 21st century, a new crisis looms. A threat to the future and the overall existence of mankind. But, there is hope a savior will emerge… Casshern. Casshern is an action-packed, sci-fi thriller that blends Japanamation and manga-inspired live action to create a new hybrid form of filmmaking that is both visually stunning and thought provoking.Kiriya Kazuaki’s spectacular Casshern is an impressive marriage of live action drama and animated effe! cts that, taken together, look like something both very old and very new in cinema. A wild, science fiction tale with an echo or two of Bladerunner, Casshern is set in a dystopian future following a 50-year-long war between Europe and Asia. The latter wins, calling the resulting Eurasia the "Eastern Federation," but the high-tech weapons used in the battle have affected the whole of mankind through widespread devastation and illness. A geneticist whose son, Tetsuya (Yusuke Iseya), has gone off to fight terrorists, promises the military his work on "neo cells" will result in the cultivation of spare human parts for the wounded and afflicted. But two unexpected results occur: a small band of superhuman mutants rise up out of the scientist’s chemical muck, and Tetsuya--killed in battle--is brought back to life with his own superpowers. While the mutants rise up against the human race, Tetsuya, now known as "Casshern," takes them on against a fascinating psychol! ogical backdrop with Oedipal overtones. The film’s look of h! yperreal , pop culture pastiche (in which action often evokes the look of 1930s movie serials blended with a whirl of dreamy, free-associating images) is reaching for the same thing as Sky Captain and the World of Tomorrow. But it is much grander in its effort. --Tom KeoghCasshern â€" a cybernetic assassin with no memory of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Enslaved by an army of rebellious super-robots originally designed to help civilization avert a complete ecological catac! lysm, mankind's only hope is CASSHAN, a legendary hero who wages a solitary war to defeat these NEOROIDS and restore the Earth to its rightful order. Ironically, Casshan's father is the same scientist who engineered the race of super androids now threatening to destroy all of mankind. On a crusade to clear the name of his father, Casshan must sacrifice his own humanity in order to attain the powers he needs to defeat mankind's powerful enemies. But Casshan's power does not come without a price. Haunted by the memories of his murdered mother and forced to deal with a super robot that has absorbed, and now manipulates, the consciousness of his father, Casshan must put aside his own emotions and fight to preserve the survival of the human race. An extraordinary tale of science fantasy and social relevance, CASSHAN is a story of man's best laid plans paving the way to potential destruction. Animation filled with bold action, pure adventure and remarkable depth. Base! d on the classic Manga. Casshern is Anime meets the matrix in ! style.Ca sshern â€" a cybernetic assassin with no memory of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Casshern Sins (2008) is a reboot of Tatsuo Yoshida's Casshan Robot Hunter (1973), which was adapted to an OAV in 1993 and a live-action feature in 2004. Sins contains almost nothing of the original story, in which cybernetic hero Casshan fought the robot-soldiers of the evil Braiking Boss in a postapocalyptic landscape. Casshern isn't sure if he's a robot, a human, or a cyber-co! mbination. He has no memories of who he is or what he's done, but everyone he meets insists he killed Luna, "the Sun Named Moon." As a result, Earth is staggering to its end. All that remains are a few people and three types of robots: human-looking ones who express emotions; puppetlike semi-humans; and big, nasty warrior-bots. In every episode, Casshern performs gymnastic flips and spins as he pounds the evil robots into so much scrap metal. But all the robots are succumbing to "the Ruin," a sort of mechanical plague that causes them to crumble into rusty flakes. As Casshern roams the wastelands and ruined cities with his robot-dog Friender, he hears rumors that Luna may still exist---and any otaku worth their salt can guess which supporting character she'll turn out to be. Director Shigeyasu Yamauchi choreographs the fights scenes skillfully, using a combination of CG and drawn animation to present the acrobatic battles. But Casshern's amnesia means other character! s deliver endless expository speeches, trying to untangle the ! needless ly complicated plot. (Rated TV MA: violence, violence against women, grotesque imagery) --Charles Solomon

(1. At the End of the World, 2. A World Replete with Death Throes, 3. To the Ends of Agony, 4. The Angel of Ruin, 5. The Man Who Killed the Sun Named Moon, 6. Reunited with Fate, 7. The Woman of the Tall Tower, 8. A Hymn of Hope, 9. The Flower That Blooms in the Valley of Ruin, 10. The Man Entrapped by the Past, 11. By One's Calling, 12. Turn the Time Lived to Color)

Lackawanna Blues

• Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is

DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's Finest).This family drama beg! ins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberl! y HeinrichsThis family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsBASED ON THE ACCLAIM! ED AUTOBIOGRAPHICAL ONE-MAN SHOW BY RUBEN SANTIAGO-HUDSON. THIS IS THE STORY OF RACHEL 'NANNY' CROSBY, AWOMAN WHO BUILT A COMMUNITY & CIRCUMVENTED SEGREGATION IN HER OWN DETERMINED WAY.

Lackawanna Blues

• Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is

EVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of! her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what s! he saw when there is more than one interpretation of the facts! ? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film! has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBASED ON THE ACCLAIMED AUTOBIOGRAPHICAL ONE-MAN SHOW BY RUBEN SANTIAGO-HUDSON. THIS IS THE STORY OF RACHEL 'NANNY' CROSBY, AWOMAN WHO BUILT A COMMUNITY & CIRCUMVENTED SEGREGATION IN HER OWN DETERMINED WAY.

Holy Man

• The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel

The always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman (Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a ! knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening! effect on spiritual well-being.

Murphy plays an enlighten! ed eccen tric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Glass Houses (Morganville Vampires, Book 1)

• ISBN13: 9780451219947
• Condition: New
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London 1817

On a cold January night, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself dr! awn deeper into the schemes of a crime lord, and has more encounters with the intriguing Lady Breckenridge.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.London 1817

On a cold January night, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord! , and has more encounters with the intriguing Lady Breckenridg! e.
Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with ! an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless me! dical/legal chiller that's one slick piece of work."Megan Davi! s is a s malltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond min! ing company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."From the author of the popular Weather Warden series. Welcome to Morganville, Texas.

Just don't stay out after d! ark.

College freshman Claire Danvers has had enough! of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school's social scene: somewhere less than zero.

When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don't show many signs of life. But they'll have Claire's back when the town's deepest secrets come crawling out, hungry for fresh blood.

Black Hole

• ISBN13: 9780375714726
• Condition: New
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1998 Ignatz Award Winner, Outstanding Graphic Novel: The inspiration for the feature film and one of the most acclaimed graphic novels ever.

Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apa! rt. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library. Two-color comics throughoutDan Clowes described the story in Ghost World as the examination of "the lives of two recent high school graduates from the advantaged perch of a constant and (mostly) undetectable eavesdropper, with the shaky detachment of a scientist who has grown fond of the prize microbes in his petri dish." From this perch comes a revelation about adolescence that is both subtle and coolly beautiful. Critics have pointed out Clowes's cynicism and vicious social commentary, but if you concentrate on those aspects, you'll miss the exquisite whole that Clowes has ! captured. Each chapter ends with melancholia that builds towa! rds the amazing, detached, ghostlike ending. Thora Birch (American Beauty) and Scarlett Johansson (Lost in Translation) "sneak into your heart and stay there" (Rolling Stone) in this "eerie, masterful movie" (Movieline) from the acclaimed director of Crumb. Co-starring Brad Renfro (Deuces Wild), Illeana Douglas (Stir of Echos) and Steve Buscemi (Fargo) in "the best role of his career" (Movieline), Ghost World is a "smartly strange comedy [that] stands out like the Taj Mahal" (Time)! While their classmates head for college, Enid (Birch) and Rebecca (Johansson) focus their energies on tormenting those around them - from a goofy convenience store clerk (Renfro) to an eccentric art teacher (Douglas). But when they zero in on an oddball loner (Buscemi) looking for Miss Right, their seemingly innocent meddling threatens to shatter one of their hearts not to mention their lifelong friendship.If you've ever felt alienated by the world around you, Ghost World will offer laughter, t! ears, and reassurance that you are definitely not alone. Adapted by Daniel Clowes and Crumb director Terry Zwigoff from Clowes's acclaimed graphic novel, the movie spends summer vacation with high school graduates Enid (Thora Birch) and Rebecca (Scarlet Johansson). They inflict little tortures on the denizens of urban sprawl, wielding scathing irony as a defense against a "ghost world" full of pop-cultural lemmings and uncertain futures. But when Enid picks a 40-ish vintage-record collector (Steve Buscemi) as the target of her latest cruel prank, she finds herself unexpectedly attracted to him ("he's the opposite of everything I completely hate") and is forced to confront her own crushing loneliness. This combination of deadpan sarcasm and deeply compassionate humanity makes Ghost World a rare and delicate comedy, with an ambiguous ending that suggests tragedy or hope, depending on your own point of view. --Jeff Shannon Dan Clowes described the story in! Ghost World as the examination of "the lives of two recent hi! gh schoo l graduates from the advantaged perch of a constant and (mostly) undetectable eavesdropper, with the shaky detachment of a scientist who has grown fond of the prize microbes in his petri dish." From this perch comes a revelation about adolescence that is both subtle and coolly beautiful. Critics have pointed out Clowes's cynicism and vicious social commentary, but if you concentrate on those aspects, you'll miss the exquisite whole that Clowes has captured. Each chapter ends with melancholia that builds towards the amazing, detached, ghostlike ending. --This text refers to an out of print or unavailable edition of this title.

It's easy to say ghosts exist or don't exist. Anyone can do that. Trying to figure out the why or what is a different story. Paranormal investigator Zak Bagans, host of the popular Travel Channel series Ghost Adventures, pulls from his years of experience with paranormal activities and unexplained phenomena to provide an evenhanded look at a ! divisive subject. In Dark World, regardless of whether you believe in the afterlife or not, Zak does his best to find and share answers to the phenomena that people encounter. He wants you to experience a haunting through his eyes: to feel what it's like to be scared, freaked out, pushed, cold, sluggish, whispered-at and touched by an ethereal being or attacked by a demonic spirit. But beyond simply experiencing these events, Zak is looking for the reasons behind them, searching for answers to the unanswered questions. Addressing all the major issues and theories of the field in an impartial way, Dark World is a must read for paranormal enthusiasts, those who don't believe and anyone who's ever wondered about things that go bump in the night.

As he did with Crumb, director Terry Zwigoff has created a soundtrack as eclectic and riveting as his movie subjects. The sounds of early jazz and blues play a crucial role in the events of Ghost World,! and the music heard here is some of the best ever recorded. S! kip Jame s's classic "Devil Got My Woman" from 1931 may be the best-known work on this soundtrack, but it hardly steals the show. Three tracks from weird but riveting jazz-meets-calypso bandleader Lionel Belasco are included; the 70-year-old recordings are so original, they sound timeless. The same praise can be stated of film opener "Jaan Pehechaan Ho," a Bollywood rarity that has elements of surf music, funk, and garage rock. Of course, we also have to hear "Graduation Rap" and Blueshammer's "Pickin' Cotton Blues," two intentionally bad contemporary tracks that make the characters in the movie (and anyone listening to this soundtrack) feel out of place in today's pop culture. Zwigoff wisely fills out the disc with tracks from his personal 78 record collection, a mix of '20s and '30s string band and blues tunes that are seldom found in compilations (including great cuts by the Dallas String Band, Joe Calicott, and McGee Bros). The haunting "Theme from Ghost World," composed b! y David Kitay, finishes off this disc, perfectly capturing all the bittersweet moods found in the film. Recommended. --Jason Verlinde On January 28, 1945, 121 hand-selected U.S. troops slipped behind enemy lines in the Philippines. Their mission: March thirty rugged miles to rescue 513 POWs languishing in a hellish camp, among them the last survivors of the infamous Bataan Death March. A recent prison massacre by Japanese soldiers elsewhere in the Philippines made the stakes impossibly high and left little time to plan the complex operation.

In Ghost Soldiers Hampton Sides vividly re-creates this daring raid, offering a minute-by-minute narration that unfolds alongside intimate portraits of the prisoners and their lives in the camp. Sides shows how the POWs banded together to survive, defying the Japanese authorities even as they endured starvation, tropical diseases, and torture. Harrowing, poignant, and inspiring, Ghost Soldiers is the mesmeriz! ing story of a remarkable mission. It is also a testament to t! he human spirit, an account of enormous bravery and self-sacrifice amid the most trying conditions.The Bataan Death March was just the beginning of the woes American soldiers captured by the Japanese army in the Philippines had to endure. The survivors of the march faced not only their captors' regular brutality (having surrendered, they were considered to be less than honorable foes), but also a host of illnesses such as dysentery and malaria. For three years these "ghost soldiers" lived in misery, suffering terrible losses.

When Army Rangers among Douglas MacArthur's forces arrived in the Philippines, they hatched a daring plan to liberate their captured comrades, a mission that, if successful, would prove to be a tremendous morale booster at the front and at home. Led by a young officer named Henry Mucci (called "Little MacArthur" for his constant pipe as well as his brilliance as a strategist), a combined Ranger and Filipino guerrilla force penetrated far behin! d enemy lines, attacked Japanese forces guarding Allied prisoners at a jungle outpost called Cabanatuan, and shepherded hundreds of prisoners to safety, with an angry Japanese army in hot pursuit. Amazingly, they suffered only light casualties.

In Ghost Soldiers, journalist Hampton Sides recounts that daring rescue, once known to every American schoolchild but now long forgotten. A gifted storyteller, Sides packs his narrative with detailed descriptions of the principal actors on both sides of the struggle and with moments of danger and exhilaration. Thrilling from start to finish, his book celebrates the heroism of hundreds of warriors and brings renewed attention to one of the Rangers' finest hours. --Gregory McNameeWinner of the Eisner, Harvey, and Ignatz Awards

The setting: suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. ! The disease is manifested in any number of ways â€" from the ! hideousl y grotesque to the subtle (and concealable) â€" but once you’ve got it, that’s it. There’s no turning back.

As we inhabit the heads of several key characters â€" some kids who have it, some who don’t, some who are about to get it â€" what unfolds isn’t the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself â€" the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.

And then the murders start.

As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn’t exactly cool to be a hippie anymore, but Bowie was still just a little too weird.

To say nothing of sprouting horns and molting your skin…The first issu! es of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom other artists speak of with envy and reverence, and we asked Ware and Clowes to comment on their admiration for Black Hole:

"I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it th! at left you feeling very unsettled, especially if you were an ! aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awkward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own. "I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to ! put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware

"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes

Questions for Charles Bu! rns

Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
Charles Burns: There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if I’d have the perseverance and energy to pull it off.
Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it?
Burns: I guess there's a consistency in Black Hole because of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me.
Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been abo! ut the lives of teenagers. Do you think there's something abou! t the fo rm that helps to tell those stories so well?
Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of adolescence.
Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight?
Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years ! and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dark. I guess I'll be stepping into the spotlight for a little while when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.